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Cinephilia in the Age of Digital Reproduction
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FILM AND MEDIA STUDIES JOBS
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Contributors
dave_mcavoy
Kate Lehman
emarsh
Drew Morton
A.P.
Paul Petrovic
Chick Young
ian
Iain Robert Smith
Tim Shorkey
012512
Paul Anthony Johnson
Mike Rennett
Ahmet Gürata
von Wenk
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Ted Pigeon
Sarah
Jane Fader
ryan
jason sperb
Scott Balcerzak
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Nathan Koob
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mm
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Will Scheibel
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Crystal Images
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2011
(3)
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July
(1)
An Open Letter to Web Based Film Bloggers and Crit...
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March
(1)
Adaptations - MPCA/MACA
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January
(1)
CFP: Global Innovations in Post-World War II Cinem...
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2010
(16)
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September
(1)
CFP: New essays for collection on Nicholas Ray
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August
(1)
SCMS CFP: All-Consuming Identities: Media, Identit...
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July
(3)
[Reminder]: CFP: Auteur as Citizen: Nicholas Ray a...
SCMS CFPs: 'Filming the Internet,' 'Appropriating ...
Hollywood On-the-Air: Rehistoricizing Cinema and R...
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June
(1)
CFP: Auteur as Citizen: Nicholas Ray and New Direc...
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April
(2)
Debating Roger Ebert on Video Games
Deadline extended for SAMLA: Flannery O'Connor in ...
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March
(2)
Adaptations - MPCA/MACA, Oct 1-3 2010, Minneapolis...
CFP: Understanding Machinima
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February
(3)
Call For Work: OPEN SPACE/SINGAPORE/SOUTHEAST ASIA...
CFP: Toward a Social Cinema: The Left Bank Group &...
South Atlantic Modern Language Association: Flanne...
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January
(3)
MCLLM Conference
Save UI Cinema & Comparative Literature
New Special Issue of Scope: An Online Journal of F...
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2009
(38)
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December
(2)
CFP: Visible Evidence 2010
Will's top 15 films of the aughts
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November
(2)
SCMS 2010
An Idea to Reinvigorate Mabuse...
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August
(3)
CFP: Canadian Journal of Film Studies
Initial Responses to ‘Cinephilia in the Age of Dig...
Initial Responses to 'Cinephilia in the Age of Dig...
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July
(3)
[Reminder] CFP: Popular Film Criticism in Media Cu...
Hollywood History / Jewish History: The Past and F...
SCMS LA Update
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June
(1)
CFP: Passions: Promises and Perils Conference
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May
(6)
CFP: Popular Film Criticism in Media Culture
Ways of Watching: Tenth Annual Summer Symposium, J...
Brief Notes on Two Summer Indie Movies: The Girlf...
UPDATED (May 12 2009): SCMS Cancelled
Mabuse at SCMS Tokyo 2009
Cinephilia in the Age of Digital Reproduction
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April
(4)
Is Donkey Kong Fun? Because I'm Feeling More Donk...
Disney's recycled scenes
Facebook Survey (A Real One!)
CFP: Midwest Popular Culture Association (10/30-11...
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March
(7)
CFP: "Ways of Watching" Symposium
Job talks and Film/Lit pairings
CFP: CONNECTdeleuze: TRANSDISCIPLINARY PERSPECTIVE...
Warner Archives "on demand"
cineSEA: Independent Moving Images From Southeast ...
New Translation of Bazin's "What is Cinema?"
Northern Illinois University - Fall 2009
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February
(6)
SCMS Elections (and my support for Chris Holmlund)...
Sneaking a "Watch": A Review of Zack Snyder's "Wa...
"Studies Beyond the Screen"
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January
(4)
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2008
(68)
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December
(5)
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November
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October
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September
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August
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July
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June
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May
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April
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March
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February
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January
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2007
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December
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November
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October
(1)
Kaleidoscopic Rays of Light
24 Lies a Second
Andy Horbal
Art/Cinema/Life
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Bright Lights After Dark
Bright Lights Film Journal
Caméra-Stylo
Category D: A Film and Media Studies Blog
Charon's Lonely Satellite
Cinema Scope
Cinema Tour
cinemaspace
cinephiliac
City Lights Film Series
ctheory.net
Dave Kehr
Digital Poetics
Elusive Lucidity
Esoteric Rabbit
film-philosophy.com
FIPRESCI Undercurrent
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Gameology
Girish's blog
GreenCine Daily
Henry Jenkins
Images: A Journal of Film and Popular Culture
Internet Movie Database
Jamais Vu
jim emerson's scanners :: blog
Jump Cut
JustTV
Kino Eye
Light Sleeper
Marathon Packs
Masters of Cinema
Millions of Images
Mirror/Stage
Momotom
PilgrimAkimbo
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reel.com
Rouge
Scope: An online Journal of Film Studies
Screening The Past
screenville
Senses of Cinema
SF360
Society for Cinema and Media Studies
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Talk to Me Harry Winston
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The Chutry Experiment
The Claude Rains Appreciation Society
The Face Knife
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Points of Convergence
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Cinephile Online Journal
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Cinephilia in the Age of Digital Reproduction
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Predator
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Sex in the Cinema
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The Curious Case of Benjamin Button
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The Dark Knight
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There Will Be Blood
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Top Ten
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UCLA Film and Television Archive
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Zack Snyder
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Signatures of the Visible